Holly Armishaw
In her recent series titled Frax 4-D, Holly Armishaw bridges the distance between a "normative" photography, exemplified by a generic horizontal landscape-format photograph, which is the familiar fundament of pictorial space, and a completely synthesized digital image, a mathematically-generated "morphed" shape not recognizable as any particular form. In her attempt to represent the "unseeable", a hypothetical, "supernatural" reality, her work reveals the fragility of photographic representation and introduces into it a new kind of abstraction.
St Kitts Nugget
24 in x 36 in
lightjet on archival metallic paper
SoHo, NYC
24 in x 36 in
lightjet on archival metallic paper
Aerial Prairies
24 in x 36 in
lightjet on archival metallic paper
Paris Architecture
24 in x 36 in
lightjet on archival metallic paper
Montreal Modernism
24 in x 36 in
lightjet on archival metallic paper
St Lawrence Seaway
24 in x 36 in
lightjet on archival metallic paper
St Telus
24 in x 36 in
lightjet on archival metallic paper
St Kitts Sphere
24 in x 36 in
lightjet on archival metallic paper
Yaletown, Vancouver
in x in
lightjet on archival metallic paper
Paris, Frax 4D
24 in x 36 in
lightjet on archival metallic paper
San Juan Atlantic
24 in x 36 in
lightjet on archival metallic paper
San Francisco
24 in x 36 in
lightjet on archival metallic paper
